| 1960 | The year the group hit it big with "Shakin' All Over" |
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January
4th |
Two tracks, a cover of Marv Johnson's "You Got What It Takes" and a Kidd original "Longin Lips" are recorded in Abbey Road. Sessionmen are most likely used - Clem Catinni and Brian Gregg had yet to become Pirates. |
January 22nd |
RELEASE: "You Got What It
Takes" / "Longin Lips"
(HMV POP 698). The A-side was a good cover of an early Marv Johnson
Motown record. The Motown "house sound" proper has not quite developed
at this time but Kidd could see the potential of some of the emerging
numbers. Down the line, Kidd's
idea of recording more Motown numbers was scuppered by HMV who didn't
believe it would sell. Yet in what turned out to be a major coup, Tamla
Motown releases were sub-let on EMI. |
| February 12th |
"You Got What It
Takes" reaches 25 in the
(then) UK Top Thirty. Not bad seeing as the original which EMI wanted
to beat into the charts made it into the Top Five. |
| Early 1960 |
Mike West wanted to go solo so the Pirates
underwent a major re-shuffle. The groups management decided to bring
in
better musicians who could read music. Alan Caddy remained on lead
guitar (he'd been to the Royal College of Music), to be joined by Brian
Gregg on bass (Les Hobeaux, Terry Dene, Colin Hicks Cabin Boys) and Clem
Catinni who was Britain's top first-generation rock drummer.
Robby Hood And His Merry Men was Mike West with Tony Doherty (guitar) adding Micky Cottle (drums) and Carl Hasden (who owned the first five-string bass in the UK, custom-made by Johnny "Fruit" Gordon). Signed by Stanley Dale their recording debut was "Tell Me When" written by Fred Heath, and they occasionally appeared on the same bill as Kidd. |
| JOHNNY KIDD & THE PIRATES #2 | Johnny Kidd (vocals); Alan Caddy (lead); Brian Gregg (bass); Clem Catinni (drums). (Early 1960 - September 1961) |
| April 10th |
Recording
session for ABC TV's "Wham!", show number 2. Brain
Gregg recalls that suits were worn, the Pirates in lime-green while the Kidd
sported bright orange, which was a pity as the show (devised and
produced by the legendary Jack Good) went out on black and white television. |
| April 17th |
![]() Eddie
Cochran, on tour in England, is killed in a car crash near Chippenham,
Wiltshire. Also in the car was Kidd's friend Gene Vincent who was
badly knocked about.
TRIVIA: Young PC David Harman was one of the first on the scene - he would later find fame as "Dave Dee" with Dozy, Beaky, Mick & Tich. |
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TV
Appearance on ABC TV's "Wham!", 18:00-18:30 (broadcast directly opposite the BBC's "Juke
Box Jury"). Also appearing - Davy Jones, Wee Willie Harris, The Four
Jays, Peter Wynne, Vince Taylor and the Playboys, and Richard Allen.
An audience of 5 million tuned in to watch. "Wham!" would be cancelled by its makers ABC on June 4th of this year, the company responsible for making it, says "ABC thinks there is no longer a public for teenage rock-'n'-roll type programmes". So there. |
| May 12th Thursday | EMI
had previously decided to offer the b-side of their next recording session
to the group. As of this day they had come up with no ideas as to what
to record and in the evening the lads are to be found in Chas McDevitt's
Freight Train club. As they could hardly wander into EMI the next day
with nothing they went downstairs and, sitting on some coke crates and
without instruments, knocked up something in a short space of time.
Their inspiration came from a phrase Fred Heath would use when knocking around with some mates, and spying a pretty girl in the street might send "quivers down the membranes". It was a phrase the future Pirate remembered because it offered a new angle on the shakes routine, and this evening helped generate a song to show EMI they had been busy. |
May
13th, Friday |
This
morning the guys rose early and collected around Brian Gregg's house to run
through their new number. They were a bit ashamed of it but despite
today being Friday 13th they had nothing else to offer, besides any money on
sales might be nice. At
EMI, this was the
first recording session for messrs. Gregg and Catinni as Pirates - and what
a session.
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June 10th |
RELEASE:
"Shakin' All Over"/"Yes Sir, That's My
Baby'" (HMV POP 753). What more can be said, although
the group were actually a little embarrassed about the song they needn't
have been, as it became perhaps the most influential British Rock 'n' Roll
song in the pre-Beatles era. As for the flipside, this was the second version of the
song, the first version by the original Pirates line-up being considered to be a bit too rough
and ready for release. It actually saw the light of day on a re-issue of "Shakin'
All Over" on EMI in 1976 by mistake, making this latter-day release of
the famous topside at least a little
collectable in its own right. |
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"Rockin' Down The
River" - 1,000 fans went on a trip aboard the "Royal Daffodill", organised
by ballroom owner Ed Waller. At over 12 hours, the round-trip cost a
mere 35 shillings (£3.50) and went down the River Thames and on to Margate
(on the tip of East Kent) and back. Fans mingled with the stars who
(apart from Kidd & co) were: the Johnny Dankworth Band; Jess Conrad; Mark
Wynter; Michael Cox; Ron & The Couriers and Frank Ifield. |
| June 18th |
![]() "Shakin' All Over"
is a new entry, it reaches no. 20 in the "Melody Maker" charts for
week-ending 18th June 1960. Although not the highest new entry this
week, it will go on to be far better-remembered than some of the competition
listed above it this week.At number 7 is gravelly-voiced Tommy Bruce (who sadly passed away in 2006) with his interpretation of Fats Waller's "Ain't Misbehavin" - a not-too-distant upcoming Bruce single on Parlophone would feature "Shakin'" on the flip. |
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Co-Operative Hall, Torquay - "Rock & Roll"
starring the group. The photo (right) pictures Kidd with
Stanley Dale, his then manager, beside the group's van. Without his
trademark eye-patch Kidd was able to walk the streets virtually
unrecognised! |
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Seaton Town Hall, 8pm and 8.45pm. Billed as "Special, Live on stage. Number one in the British hit parade - 'Shaking All Over' - International Favourites". |
| August 4th |
"Shakin' All Over"
Reaches no. 1 for one week according to the "Record Retailer" chart (now quoted by Guinness)
- the same industry-standard chart that later had the Beatles' "Please Please Me" stop at no. 2.
Another chart (there were at least four to choose from) reckon it was a
no. 3 for three weeks before slowly sliding out through August and September. |
| August 12th |
"Girls
who give lads 'quivers down the membranes' inspired my hit"
confesses Johnny Kidd - this self-penned article appeared in the New
Musical Express magazine (number 709) in the wake of his current massive
hit, spilling the beans on the title's origins plus the following thoughts:
"You see, if I am to be honest, I must tell you
that in my opinion there's nothing worthwhile musically in the number - no
chords even!" plus the following about his next disc -
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September 5th |
The group record "Restless"
and
"Magic Of Love".
The topside is co-written by Kidd plus Teddy Wadmore, bass player with the
Ted Taylor Four. Wadmore subsequently leaves the four to pursue a
career in songwriting. In an attempt to emulate the success of "Shakin'
All Over" the group is once again supplemented by Joe Moretti on lead guitar
duties.Kidd's manager Stanley Dale continues booking engagements for the Kidd up to the beginning of October as a potential US Tour "is not expected to take place before then". |
| September 15/16th | Kidd flies out to represent Britain at a special EMI convention of record dealers over two days in Amsterdam, and also makes an appearance on Hilversum TV. "Shakin' All Over" is voted no.1 in Holland. |
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TOUR COMMENCES - 18th Aylesbury; 20th Newbury; 23rd Northwhich; 24th Aylesbury; 29th Barrow-In-Furness; 30th Whitehaven (continues into October) |
September 30th |
RELEASE: "Restless" /
"Magic Of Love"
(HMV POP 790). After the success of "Shakin' All Over" Kidd
expected big things from the atmospheric follow-up to his big Summer hit.
His vocals are probably at their moodiest best here. |
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TOUR CONTINUES
- 1st Crewe; 14th Central Pier, Morecambe; 15th Aylesbury; 20th Rawtenstall;
21st Leeds; 22nd Barnoldswick; 29th Bury St Edmunds (continues into
November) |
October 6th |
A
return to Abbey Road to record three more tracks on this day which mark a
return to cover versions: "Linda
Lu", "Let's
Talk About Us" and "Big
Blon' Baby". "Linda Lu"
is a Ray Sharpe song, which features a jaunty but cool take
on the descending "Shakin" riff, preceded with a brief vocal introduction before
launching into the verse proper. A solo is dispensed with, unlike
other singles this year there appears to be no second guitarist employed to
flesh out the sound. The suggestion is that this was not necessarily a
session designed to produce a single as "Linda Lu" will be selected for the
next single a few months into 1961, with "Lets Talk About Us" (Jerry Lee Lewis)
on the flip. The third song is sidelined for the moment, but will be
released before the others. Also on this day "Restless", which Kidd thought was probably stronger even than "Shakin" tops out at a disappointing 22 in the UK "Record Retailer" charts. Another chart calculates this disc as reaching as high as number 18. |
October
7th |
The second recoding session in as many days produces "Weep No More My Baby". As with the previous day's "Big Blon' Baby" Alan Caddy's "chunky" style can be seen to have evolved rather effectively, the solo on today's recording keeping the song chugging along rather nicely without losing the plot. |
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TOUR CONTINUES - 4th Grimsby; 5th Wisbech; 7th Middlesbrough; 8th Hull; 9th Bradford; 10th Scarborough; Friday 11th - five-day tour of Scotland; 16th York; 17th Warrington; 19th Shrewsbury; 20th Spennymoor. |
November |
"Johnny Kidd", the eponymous first EP
from the group is also released around this time featuring his four hit
singles to date: "Please Don't Touch" and "Shakin' All Over"
on side 1, with "Restless" and "You Got What It Takes" on side
2. No material seems to be spare for a
unique release, perhaps this was due to heavy touring commitments.The sleevenotes are by James Wynn, who tells the (probably untrue) story of how whilst tuning his guitar backstage at Wandsworth Town Hall a string broke and hit him in the eye, stagehands managed to source a black eyepatch and Johnny fulfilled the show, during which he heard mumblings from a few in the audience that he looked like a pirate, he dubbed his band the Pirates, and adorned himself with the name Johnny Kidd - and never looked back....! That's what it says anyway, finishing off with "He's been greeted with capacity audiences all long the line - a fact that constitutes proof positive that the talented Mr. Kidd is here to stay". |
December 2nd |
"Saturday Club"
album (Parlophone PMC 1130, mono) released in time for Christmas, comprising
tracks from diverse acts contracted to the many EMI labels including John
Barry, Ricky Valance, Bert Weedon, Tommy Bruce and the King Brothers amongst
others. The two Kidd tracks - "Big Blon' Baby"
and "Weep
no more, My Baby", both recorded 7th October were two of the
undoubted highlights and was the first time - and sadly the last - that Kidd
appeared on LP during his career. One reviewer
suggests the album contains out-takes and other leftovers - as they were all
EMI recordings and not those from the BBC radio show of the same name - he
might have had a fair point. The LP today will become collectable because of these otherwise unobtainable cuts from Kidd rather than anything
else. |
| December | "NEW MUSICAL EXPRESS" poll - "Shakin All Over" is the 7th best British disc of the year, while Kidd was the 4th most requested artist for the poll concert, 9th most popular male singer and 11th British Vocal Personality. "Shakin' All Over" had been no.5 in the best selling sheet music chart. All in all, not a bad year. |
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