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20 tracks, all previously
released |
EMI PLUS 725357619721 |
Standard
chronological
CD set with a bonus CD. |
|
Please
Don't Touch (Heath-Robinson) 1959 |
Feelin'
(Heath-Robinson) 1959 |
If You were The Only Girl
In The World (Grey-Ayer)
1959 |
You Got What It Takes (Gordy-Davis-Gordy) 1960 |
Shakin'
All Over (1) (Heath) 1960 |
Yes Sir, That's My Baby (Donaldson-Kahn) 1960 |
Restless
(Wadmore-Kidd) 1961 |
Linda Lu
(Sharpe) 1961 |
Please Don't Bring Me Down (Kidd)
1961 |
Hurry On Back To Love (Westlake)
1962 |
A
Shot Of Rhythm & Blues (Thompson) 1963 |
I'll
Never Get Over You (Mills) 1963 |
Hungry
For Love (Mills) 1964 |
Always And Ever
(Ruvin) 1964 |
Doctor Feelgood
(Smith) 1964 |
Jealous
Girl (Mills-Weske) 1964 |
Whole
Lotta Woman (Rainwater) 1964 * |
Your
Cheatin' Heart (Williams) 1964 |
The
Birds And The Bees (Newman) 1965 |
The
Fool (2) (Ford Hazlewood) 1966 |
|
"The
Story" (2000)
The
latest collection, "The Story" is one of a series of
releases on a new EMI label from the European division, EMI Plus. The
title alone promises what could be a mouth-watering selection with a
bonus CD-rom covering the groups' history for good measure. The 20
track CD is a solid affair containing the first fifteen A-sides in
chronological order with five B-sides thrown in at the appropriate
place for good measure. Fairly rare sides are "If You Were The
Only Girl", "Hurry On Back To Love" and the last of the
Gordon Mills beatsters, "Jealous Girl". Strangely, the
groups' final
three 45rpm topsides don't get a look-in, "Shakin' All Over 65",
It's Got To Be You" and "Send For That Girl" (although
the clatters' B-side "The Fool" makes a welcome
re-appearance), all of which (to my mind) are as valid as "Please
Don't Bring Me Down", "Hungry For Love" and "Whole
Lotta Woman". Why not simply have ALL the A-sides plus a few rare
tracks in their original glorious mono?
There are no new
surprises and are probably culled from the (once again) double CD set
masters. All
tracks sound in good condition, even "Hungry For Love" has
had its intro restored after losing it on the previous outing. Six
tracks are in stereo but mono would have given the CD as a whole a
consistent sound, plus there is the odd track that has not yet made it
onto CD in it's original mono form, in this case "Jealous
Girl". The original single was essentially one take with the
second middle eight copied over the original first middle eight plus
an alternate take of the final chord tacked on. Hence, the stereo
track presented here is that basic, unadulterated
twin-track take. Trivia: The same year's "Do Wah Diddy Diddy"
by Manfred Mann was constructed in much the same way where a copy of
the first middle eight is pasted over an instrumental break where the
second middle eight now appears.
The
accompanying CD-rom is an interesting idea that is
not fully realised. It contains a single executable (barely
2 megabytes in size) of a presentation in four languages and gives
you a (very) brief and inaccurate resume of the band's history. At one point it states that the original Pirates re-formed
"minus Kidd" in the mid 70's, continuing to play Kidd's best
songs. Actually, it was the late-'62 to mid-'64 version that re-formed,
all
mention of Green, Spence & Farley being dealt in one sentence
amounting to "A few years later" which neatly avoids any
mention of them at all! The discography is a nonsense, you must guess
if each 'entry' is a 45, LP or CD. Ah well. To make up you can
install a screensaver (I haven't tried it), go to the EMI Plus site from the link, or view
the five good quality and extremely rare photographs, a couple of which show the
classic line-up in front of what appears to be the legendary Galleon
backcloth they used onstage. They're almost worth the price alone. But overall more could
have been done with the format. The Jewell case cover boasts another rare photo of
the classic line-up which is repeated inside and out, plus on the
audio CD itself, while a negative version (above right) adorns
the cardboard CD-Rom cover. Available from Amazon. |
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